The boss refers to himself as a master craftsman, and says the workers were hired by the royal family to improve the village. The relationship between the self-described “boss” of the carpenters and those he calls “my workers,” appears to be one of a guild member and apprentices or journeymen. ![]() The game's perspective on class issues can best be seen in its portrayal of the Kakariko carpenters and the wealthy family in the House of Skulltulla. So criticism here should be interpreted as loyal opposition. There is no game with which I have more fond memories. As Feminist Frequency blogger Anita Sarkeesian says, “Remember that it’s both possible and even necessary to simultaneously enjoy media while also being critical of its more problematic or pernicious aspects.”īecause games’ technological capabilities have increased so rapidly since "Ocarina" was released, I suspect the title's reputation is somewhat inflated due to nostalgia of critics of a certain age. ![]() Some readers may take criticism of "Ocarina" as dismissal of the game. And yet the ways it deals with class, race, gender and animal rights are all deeply problematic. This year marks the 15th anniversary of the release of "The Legend of Zelda: Ocarina of Time." Critics frequently laud the Nintendo 64 title as the greatest video game ever.
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